Shillong, March 27: The second day of the inaugural Shillong International Film Festival witnessed strong participation from college students and emerging filmmakers, with the focus centred on hands-on learning and direct industry interaction.
A major highlight was a cinematography masterclass conducted by filmmaker Arnab Gayan, which attracted a packed audience of aspiring creators. The session explored practical aspects of filmmaking, including visual storytelling, framing techniques and shooting approaches across formats such as music videos and feature films. Gayan also shared insights from his professional journey, offering perspectives on both creative decision-making and technical execution.
An interactive segment allowed students to engage directly with the filmmaker, raising questions on storytelling methods, visual language and real-world production challenges. The discussion reflected a strong interest among participants in understanding filmmaking beyond academic frameworks.
Emphasising the importance of narrative, Gayan noted that compelling storytelling remains central to creative work. He encouraged students to cultivate ideas through reading and observation, adding that learning continues beyond formal education and evolves through everyday experiences.
Students from institutions including St. Anthony’s College, Martin Luther Christian University, North Eastern Hill University and English and Foreign Languages University attended the session and actively participated.
Film screenings formed another key component of the day’s programme, showcasing a diverse selection of regional and independent works. Titles such as Our Home (Eikhoigi Yum) by Romi Meitei, Kni by Kiki Garod, Tang Shiteng Por by Cores Marwein, Ka Chithi by Simi Khongthiang, Nongshun by Kamki Diengdoh and Elizer Bareh, Kok Kok Kokoook by Maharshi Kashyap, Deepa Didi by Surya Balakrishnan, Chanchisoa by Elvachisa Ch Sangma and Dipankar Das, Jingshemphang by Tyrel Reuben Lyngdoh, and Agent of Happiness by Arun Bhattarai and Dorottya Zurbo were screened, introducing audiences to varied storytelling styles and cinematic approaches.
Another interactive session examined the filmmaking process from concept development to casting, crew coordination and final execution. Participants gained insights into collaborative workflows and the multiple roles involved in bringing a film from idea to screen.
